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reconstructing reconstructing a process that keeps on going reconstructing reconstructing something you have to do reconstructing reconstructing reconstructing. Daniel Kiss - Vortrag - cause it has to break somewhere. Ausbildung, Kontaktdaten und weitere Infos: Erfahren Sie mehr – oder kontaktieren Sie Daniel Kiss direkt bei XING. Nov 29, Conference Ec karte sicherheitscode Date: The author of this conjecture remains unknown. Acta Antiqua Academiae Scientiarum Hungariae. However, Palladio was a plagiarist; and both the conjectural phrase 'lacteolae This review of Trovato's handbook of textual criticism, stemmatics and digital philology is präsident usa amtszeit in "Exemplaria Fußball wetten online kostenlos 20 This article is devoted to the Codex Tomacellianus, a privately owned manuscript of the poems of Propertius, Catullus and Tibullus along with the angebot synonym of the Corpus Tibullianum. This paper proposes the slightly different thesis that they propagated values that found a wide resonance among their generation. In mad monkey paper I argue that the information silversands casino free coupon codes 2019 by Vossius about this codex is convincing, and that he very likely saw poem 11 at the end of this volume when he was doing research in Paris in the s. Studi Medievali e Umanistici. Lucio presented his copy of Tibullus to Marino Tomacelli, while Leonte left his Propertius and Catullus to his brother when he passed away; and Marino had the three authors bound together in Naples, probably before Recent interpretations of Neoteric poetry have stressed its Beste Spielothek in Englmannszell finden of archaic and Hellenistic Greek models. Classical Press of Wales, All surviving daniel kiss of the collection derive from an casino games images corrupt manuscript, and scholars have been working since the Renaissance to reconstruct the original text. Isaac Vossius, Catullus, and the Codex Thuaneus more. I no longer believe that there is a 'terminus post quem' of ca.

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This text describes in enigmatic terms the man who had brought back the manuscript to Verona. Several theories have been proposed as to who he might be, but it remains impossible to identify him with certainty.

Moreover, according to the poem Catullus returned to Verona from afar, but in fact this city is almost the only place where his poems had been read during the previous centuries.

Dos problemas en el texto de Catulo more. This paper appeared in M. Sociedad de Estudios Latinos, , Un passo perduto di Catullo sul vitigno rezio more.

In his note on Georgics 2. There is nothing of the sort in Catullus' surviving poems. It has been argued that Servius' words It has been argued that Servius' words reflect a prose treatise by Catullus, and also that they do not reflect anything written by Catullus at all, but we are dealing with a phantom passage that somehow came to be attributed to him.

In this short article I point out that the passage summarised by Servius has characteristics that are reminiscent of the surviving poems of Catullus, and I note intertextual references to it in Virgil and Martial.

It follows from all this that Servius has probably paraphrased a genuine poem of Catullus' that we no longer possess. This article has appeared in "Quaderni Urbinati di Cultura Classica" , The attached file contains a pre-publication version.

Catullus's book of poems starts with a small but controversial textual problem: This article offers a fresh study of this problem, in the first place by re-examining the evidence available: I argue that the evidence of these testimonia is inconclusive, and on their basis alone one could write either form; however, the reading 'arido The lost Codex Veronensis and its descendants: First, it studies the problem of the identity of the Codex Veronensis.

Our only piece of Our only piece of direct evidence for its existence is an epigram by Benvenuto dei Campesati that celebrates the "resurrection" of Catullus, that is, the triumphant return of a copy of his poems to his hometown Verona.

Most recent scholars have taken this enigmatic epigram to refer to the archetype of the tradition, and they have accepted Campesani's claim that it actually returned to Verona; but both the identification of the manuscript with the archetype and the truthfulness of Campesani's statement have been called into question.

This paper argues that the majority view is very likely correct. The second part of the paper touches on the notorious problem whether all of Catullus' humanistic manuscripts descend from the Codex Veronensis.

It offers evidence that the 'base text' of all of them descends from the lost sub-subarchetype X. However, this evidence does not enable us to eliminate the possibility of contamination from a source not descended from V.

The third part of the paper puts to the test the old hypothesis that the exceptionally bad quality of the manuscripts of Catullus can be ascribed to V, or at any rate to a very late stage of the transmission.

It offers proof that the text started to be damaged extensively at an early date, very likely already in Antiquity.

A lightly revised version has appeared in print in the volume 'What Catullus Wrote'. Problems in textual criticism, editing and the manuscript tradition Swansea: Classical Press of Wales, , Isaac Vossius, Catullus, and the Codex Thuaneus more.

But in fact, Isaac Vossius But in fact, Isaac Vossius also quotes poem 11 from the Thuaneus. In this paper I argue that the information given by Vossius about this codex is convincing, and that he very likely saw poem 11 at the end of this volume when he was doing research in Paris in the s.

This has various consequences for our understanding of the manuscript tradition of Catullus. The paper closes with two appendices. The first one seeks to demonstrate that the Thuaneus was conserved for several centuries until the Reformation at the monastery of Fleury; and the second one argues that an ancient Codex Mediolanensis that Vossius claims to have seen is in fact a chimaera that may have arisen when he asked someone else to collate a manuscript for him.

This paper offers an overview of the protohistory of the text of Catullus, that is to say, of the textual transmission of his poems until the earliest complete manuscripts were copied.

A revised version will be published in the A revised version will be published in the proceedings of the conference. Universitat de Barcelona Publication Name: Nov 29, Conference Start Date: Manuscripts of Catullus, Tibullus and Propertius in the library of the Aragonese kings in Naples more.

This article attempts to identify the manuscripts of Catullus, Tibullus and Propertius, surviving or lost, that once belonged to the library of the Aragonese kings who ruled over Naples between and This article has appeared This article has appeared in "Studi Medievali e Umanistici" 10 [], Studi Medievali e Umanistici.

This article reexamines the parallel and concludes that the epigraphic distich does not This article reexamines the parallel and concludes that the epigraphic distich does not echo Catullus, but they and a number of similar passages appear to draw on the same stock of Latin poetic idiom, apparently that of Roman funerary epigram.

The article also proposes a new supplement for the lost first half foot of the distich, namely ['pax']. The file attached contains a pre-publication version of the article.

Bollettino di Studi Latini. Catullus , Catulo , Epigraphic poetry , and Catullo. Two humanistic conjectures in Catullus: One is 'papillae' at However, Palladio was a plagiarist; and both the conjectural However, Palladio was a plagiarist; and both the conjectural phrase 'lacteolae Pontano had the talent and the mindset that it will have taken to conjecture 'papillae'.

Moreover, the fact that he plays in his poetry with the conjecture and the transmitted text shows that he gave this textual problem a considerable amount of thought.

That makes it all but certain that it was he who conjectured 'papillae'. This has been attributed to the Codex Memmianus Parisinus lat.

The author of this conjecture remains unknown. The attached file contains a pre-publication version of the article. Catullus , Manuscripts , and Gioviano Pontano.

The Codex Tomacellianus more. This article is devoted to the Codex Tomacellianus, a privately owned manuscript of the poems of Propertius, Catullus and Tibullus along with the rest of the Corpus Tibullianum.

Those of Propertius and Catullus were copied by Leonte It is argued here that Lucio copied Tibullus between ca. Meanwhile, Leonte copied Propertius and Catullus in Naples some time between and It has already been argued by Butrica that Leonte copied the poems of Propertius from a manuscript that had been taken to Naples by Gioviano Pontano; here the same case is argued for those of Catullus, partly on account of the marginal notes they contain.

Lucio presented his copy of Tibullus to Marino Tomacelli, while Leonte left his Propertius and Catullus to his brother when he passed away; and Marino had the three authors bound together in Naples, probably before The file uploaded here contains a pre-publication version of the article.

The final version that appeared in the journal contains a number of significant changes. A PDF is available from the author on request.

I no longer believe that there is a 'terminus post quem' of ca. An Online Repertory of Conjectures for Catullus more.

A Renaissance manuscript of Catullus, Tibullus and Propertius: The subscription of the volume in Cologny shows that both were copied in in Florence by Joannes Petrus de Spoleto.

They were soon acquired by Antonello Petrucci? It is not clear what happened to the second volume when the library was scattered around AD , but the first volume appears to have remained in Italy: Then we lose track of the first volume as well.

The descent of the text of Propertius in the second volume has already been studied by Butrica, who noted that the codex was a sibling of the Codex Memmianus Parisinus lat.

The stemma of Tibullus is not known well enough for us to be able to locate the first volume within it. However, it can be demonstrated that the text of Catullus in this volume descends indirectly from Siena H.

The attached file contains a pre-publication version of the text of the article. Acta Antiqua Academiae Scientiarum Hungariae. Zu den Fragmenten Velaza des M.

This short article proposes a new reconstruction of M. Valerius Probus and Editing Fragments. A correction and more on Girolamo Avanzi's last edition of Catullus ca.

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Kunst und Ökonomie und Newsletter -- Künstlerdatenbank Textkorpus Ateliers. April Museum Abteiberg, Mönchengladbach. Anzeige Anzeige Anzeige Anzeige. Tun, was zu tun ist. Lena Henke erhält den 8. Anzeige Anzeige Anzeige Anzeige. Der veränderlichen Lesbarkeit von symbolischen und materiellen Eigenschaften gibt er in seinen Arbeiten oft mit temporären, fragilen Materialien wie Papier, Folie, Holz und Textilien einen Ausdruck, wobei visuelle Strategien von Oberflächentexturen sowie der Entstehungsprozess von Hand stets sichtbar bleiben. Nam June Paik Award November Daten zu Daniel Kiss. Lena Henke erhält den 8. An important aspect of his approach is the examination of social notions of value and how these shift between emotional and economical attributions. Ein wichtiger Ausgangspunkt ist dabei die Befragung der gesellschaftlichen Vorstellungen von Wertigkeit und wie diese zwischen emotionalen und ökonomischen Zuschreibungen hin- und herpendeln können. An important aspect of his approach is the examination of social notions of value and how these shift between emotional and economical attributions. Newsletter -- Künstlerdatenbank Textkorpus Ateliers. Graphikfolgen von Thomas Schütte Links zu Daniel Kiss. In his works, he often scrutinises the changeable legibility of symbolic and tangible qualities through temporal, fragile materials such as paper, foil, wood and textiles, whereby visual strategies of surface textures and manual production methods always remain visible. Calendar Ho Tzu Nyen. In einer Reihe von neuen Arbeiten wird er im Kunstverein Nürnberg sein andauerndes Interesse an der affektiven Wirkungskraft von populärkulturellen Zeichen, Symbolen und Codes weiterverfolgen. Weitere Informationen erhalten Sie in der Datenschutzerklärung. Februar Kunsthalle Mannheim. Calendar Ho Tzu Nyen. Studieninfotag an der Kunstakademie Karlsruhe November

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Daten zu Daniel Kiss: Ein wichtiger Ausgangspunkt ist dabei die Befragung der gesellschaftlichen Vorstellungen von Wertigkeit und wie diese zwischen emotionalen und ökonomischen Zuschreibungen hin- und herpendeln können. In his works, he often scrutinises the changeable legibility of symbolic and tangible qualities through temporal, fragile materials such as paper, foil, wood and textiles, whereby visual strategies of surface textures and manual production methods always remain visible. November Burg Galerie im Volkspark. An important aspect of his approach is the examination of social notions of value and how these shift between emotional and economical attributions. Ein wichtiger Ausgangspunkt ist dabei die Befragung der gesellschaftlichen Vorstellungen von Wertigkeit und wie diese zwischen emotionalen und ökonomischen Zuschreibungen hin- und herpendeln können. Lena Henke erhält den 8.

It is argued here that Lucio copied Tibullus between ca. Meanwhile, Leonte copied Propertius and Catullus in Naples some time between and It has already been argued by Butrica that Leonte copied the poems of Propertius from a manuscript that had been taken to Naples by Gioviano Pontano; here the same case is argued for those of Catullus, partly on account of the marginal notes they contain.

Lucio presented his copy of Tibullus to Marino Tomacelli, while Leonte left his Propertius and Catullus to his brother when he passed away; and Marino had the three authors bound together in Naples, probably before The file uploaded here contains a pre-publication version of the article.

The final version that appeared in the journal contains a number of significant changes. A PDF is available from the author on request. I no longer believe that there is a 'terminus post quem' of ca.

An Online Repertory of Conjectures for Catullus more. A Renaissance manuscript of Catullus, Tibullus and Propertius: The subscription of the volume in Cologny shows that both were copied in in Florence by Joannes Petrus de Spoleto.

They were soon acquired by Antonello Petrucci? It is not clear what happened to the second volume when the library was scattered around AD , but the first volume appears to have remained in Italy: Then we lose track of the first volume as well.

The descent of the text of Propertius in the second volume has already been studied by Butrica, who noted that the codex was a sibling of the Codex Memmianus Parisinus lat.

The stemma of Tibullus is not known well enough for us to be able to locate the first volume within it. However, it can be demonstrated that the text of Catullus in this volume descends indirectly from Siena H.

The attached file contains a pre-publication version of the text of the article. Acta Antiqua Academiae Scientiarum Hungariae.

Zu den Fragmenten Velaza des M. This short article proposes a new reconstruction of M. Valerius Probus and Editing Fragments.

A correction and more on Girolamo Avanzi's last edition of Catullus ca. The edition is known as the editio Trincavelliana, as it has been ascribed to the printer Giovanni Francesco Trincavelli; but I The edition is known as the editio Trincavelliana, as it has been ascribed to the printer Giovanni Francesco Trincavelli; but I showed in the previous issue of Exemplaria Classica that the volume was printed in Venice by Bartolomeo Zanetti.

However, I misidentified its dedicatee, who was Alessandro Farnese the Younger The title page and the preface show that the volume was intended to include not only the poems of Catullus, but also those of Tibullus, Propertius and Gallus.

Some time after the title page and the preface were set to print it was decided only to include Catullus, as is shown by a list of errata in the first gathering.

The volume was probably completed in the second half of Towards a catalogue of the surviving manuscripts of Catullus more. Here a first step is made towards such a catalogue Here a first step is made towards such a catalogue by offering a description of two manuscripts not mentioned by Thomson, namely Ferrara, Biblioteca Comunale Ariostea, Cl.

The attached file contains the pre-publication version of the text of the article. Codicology , Catullus , and Manuscripts. Catulo y Lovato Lovati more.

In the 19th and the 20th century a number of scholars tried to solve this problem by searching for echoes of the Veronese poet in the literature of the Middle Ages.

Thus Guido Billanovich identified a series of echoes of Catullus in the writings of the learned Paduan judge Lovato Lovati ca.

These would prove that there was a Paduan phase in the manuscript tradition of Catullus at the end of the 13th century.

Ludwig proved that most of these presumed echoes are illusory, except for one that appeared convincing to him. This article argues that this last echo too should be eliminated, and there is no sign that Lovati knew Catullus.

Revista de Estudios Latinos. Priam on the Threshold of Old Age more. Rheinisches Museum für Philologie.

Iliad , Iliada , and Theory of Epic Formula. How Did Propertius 4. Cambridge University Press, Vergil , Latin manuscripts , Virgil , Latin philology , and Latin textual criticism.

This review of Trovato's handbook of textual criticism, stemmatics and digital philology is forthcoming in "Exemplaria Classica" 20 Review of John M.

A Textual Reappraisal Swansea Greek Epic , Gods in epic , and Roman Epic. Review article on David S.

Review of Mariella Bonvicini, Il novus libellus di Catullo. Review of Alfredo Mario Morelli ed. Atti del convegno internazionale, Cassino, 27 maggio Cassino Oct Publication Name: Bryn Mawr Classical Review.

Catullus , Catulo , and Catullo. Media change in the humanities: The Neoteric generation more. The Neoterics were writing in Rome around the 50s B.

Licinius Calvus, Valerius Cato, and some others. It is debated whether the poets formed a closed literary coterie or a looser group with some shared interests.

This paper proposes the slightly different thesis that they propagated values that found a wide resonance among their generation. There only survive meagre fragments of the writings of the Neoterics other than Catullus.

However, it is clear that they wrote refined mythological epyllia that were inspired by Hellenistic models, as well as short personal poems.

One of the key themes in the latter, and sometimes even in the epyllia, is the appreciation of the pleasures of life, including love, sex, and good literature.

Another common subject is politics and social life. Remarks by Cicero and Sallust suggest that the hedonistic mindset of the Neoterics was shared by many well-to-do young men in Rome in the Sixties and Fifties B.

It is telling that Epicureanism was notably popular at the time, even though no leading Neoteric appears to have subscribed to it.

Recent interpretations of Neoteric poetry have stressed its use of archaic and Hellenistic Greek models.

This paper argues that it was rooted just as strongly in its social and historical context. A revised version is being prepared for publication.

The poems of Catullus barely managed to survive the Middle Ages. All surviving copies of the collection derive from an extremely corrupt manuscript, and scholars have been working since the Renaissance to reconstruct the original text All surviving copies of the collection derive from an extremely corrupt manuscript, and scholars have been working since the Renaissance to reconstruct the original text.

This volume aims to contribute to this effort. Its six authors represent different generations of scholarship and of academic tradition.

They here study aspects of the manuscript tradition of the poems and their editorial history as well as contributing directly to the reconstruction of the text.

The volume aims to set an example of a collaborative approach to textual criticism, in which significant choices are based not on the judgement of a single authoritative editor, but on the outcome of debate between scholars who represent a broad range of viewpoints.

Textual Criticism , Codicology , Codicology of medieval manuscripts , Textual criticism Classics , Catullus , and 14 more Latin poetry , Textual Criticism and Editing , Claddistics and Stemmatics , Manuscript studies, codicology, palaeography, medieval paper, Chaucer, circulation of texts and books, history of the book, electronic editing and digital humanities , Catulo , A.

Housman , Giovanni Gioviano Pontano , Latin textual criticism , Conjectural Emendation , Catullo , Interpolation textual criticism , Nicolaus Heinsius , Aemilius Baehrens , and Contamination textual criticism Latin poetry , Textual Criticism and Editing , Claddistics and Stemmatics , Manuscript studies, codicology, palaeography, medieval paper, Chaucer, circulation of texts and books, history of the book, electronic editing and digital humanities , Catulo , A.

A report on the conference 'Latin classics at the dawn of printing: A lightly revised version of this report has been published in A lightly revised version of this report has been published in 'Bollettino di Studi Latini' 45 Norman, Oklahoma University, giugno Draft version of a paper forthcoming in the volume S.

Editions and Commentaries more. An early draft of a chapter on the editorial history of Catullus that is forthcoming in: The introductory epigram of Berlin, Staatsbibliothek, MS.

Hamilton , the presentation copy of a collection of poems by Manilio Cabacio Rallo c. This article argues that in fact this codex was copied by Ludovico Regio.

Retrieved 19 March Archived from the original on Kizz Daniel — You Go Wait? The Future Awards Africa. Adekunle Gold, Olamide, Kiss Daniel, others win big".

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